From Vinheteiro: ‘Sweet Dreams Are Made Of Memes’-If You Bring Back The 80’s, Please Don’t Do It In Public

I had always thought the deep bass note is the driving force behind the song. Much like the low rumbling and deep bass sounds indicate foreboding and fear in a cinema experience.  Relentless with a hint of dread.

But then again, the chord progession is rather haunting and Annie Lennox’s vocals (top-notch) are stark and beautiful.  Maybe it’s the syncopation?

From the description (arranged for order):

I’m going with the 8-bit or the dual piano (2 and/or 4).

‘Piano version, 8 bit version, ragtime version, dual piano version or the terror version…’

The original video is mildly surrealistic 80’s shock-pop; just cheesy enough to flirt with schlock, but the combination of lyrics, story, musicality and simplicity give this song serious staying-power:

 

Ye Olde Blue-Green English: Some Songs And Links For Merry Listeners

Too much shredding?  Maybe, but that’s some tone, timing and technique!

You need a guy with near virtuosic talent on his instrument, some feel for composition, and long, long hours to play so faithfully live.

I like the change to the Am chorus at 2:50 or so.

Towards a theme.  New-agey and way 80’s yes, but I really like the composition, and the raucous feel beginning at the :32 mark as the drums and bass kick-in:

Why, it’s a like a tapestry of vocal harmonies:

Everything old is new again.  It gets positively medieval at 3:20 seconds?:

Who’s writing these things?  Just enjoy.  You culture has much to teach you if you bother to listen.  Stuff gets passed down, you know.

You can’t see (hear) it all from one place.

You Never Go Full ‘Adult Contemporary’-Some Links

I’ve wondered why Mike Oldfield (Tubular Bells, English guitarist and smart composer, New-Agey prog rock but deep…out there) seemed so popular in Spain.

I wouldn’t be surprised if there’s an appeal to a sense of the deeply tragic going on, well-designed but emotionally intense songs; compositions with some classical influence and historical context, but still functioning as popular/bar songs.

He manages to work with excellent singers too.

Going For Baroque (get it?):

I imagine a bunch of little kids slowly waking-up in a loft, daylight breaking through shutters, the cobwebs of sleep still filling the room.

A simple wonder at the architecture of things:

Via A Reader-Isaiah Berlin’s Lectures On The Roots Of Romanticism

Thanks, reader:

Related On This Site:Appeasement Won’t Do-Via A Reader, ‘Michael Ignatieff Interview With Isaiah Berlin’

A Few Thoughts On Isaiah Berlin’s “Two Concepts Of Liberty”…

Repost-Classical Liberalism Via Friesian.Com-‘Exchange with Tomaz Castello Branco on John Gray’

The radical and rationalist project, anarcho-syndicalism and libertarian socialism: Repost-From Michael Totten At World Affairs: “Noam Chomsky: The Last Totalitarian”

Somewhere from the old aristocratic Russia softly speaks a keen mind in beautiful, strange English: Michael Dirda At The Washington Post Reviews ‘Nabokov in America’

How might this relate to the Heglian/post-Marxist project via ‘The End Of History’: Update And Repost- From YouTube: Leo Strauss On The Meno-More On The Fact/Value Distinction?’

Via Youtube-‘Week 2 Leo Strauss-The Three Waves Of Modernity’

From The NY Times Via A & L Daily: Helen Vendler On Wallace Stevens ‘The Plain Sense Of Things’