‘Rigid Diversity‘ by Theodore Dalrymple:

‘The present totalitarian threat comes not from government, as it once did, but from the universities and the intellectuals, or semi-intellectuals, that they turn out.’

Just a reminder: People who want to control how you think and feel are letting you know now how they will behave in the future.  You can’t necessarily count on institutions, politicians and authorities to maintain your freedoms, should you suddenly find intolerant people with bad ideas wielding influence over you.

Eventually, such folks get into government.

Peaceful protest, adhering to a cause which threatens the current Canadian political authority, is punishable by imprisonment, fines and lack of financial access.

Imagine your worst political enemies, cracking down on a peaceful protest out in the streets. Let’s say you’re passing by, and out of basic concern, you hand a bottle of water to a protestor. It’s possible the punishment for this simple act (apolitical) could follow you home, leading to fines and threats of imprisonment, staining your future financial and employment opportunities.

The technology is already here.

Surely you trust the people following the latest moral cause not to abuse the authority and technology they wield?

What about you and your people?

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The previous two cents and two cents more gets you close to a nickel: Twitter as a platform is what it is (especially good at brief bursts of condensed information, data gathering, and disasters). It’s the kind of internal, open chat platform within a company, scaled more broadly. All you need is a device, free software to download, and voila, you’ve become a node on a vast network. This has advantages.

Communication, however, is obviously a pathetic prosthetic for human contact and real conversation.  I suspect the people curating Twitter of playing a dumb, dumb game by favoring their favored biases (like all of us, to some extent) instead of just letting speech flourish.

This creates echo-chambers.

Via David Thompson, I don’t think I’d want to live in a Titan II Missile Complex, but it’s only $495K. Get in on the ground floor, and go down from there.

As posted, Land Art is often about removing the monetary value, commodification and fungibility of a piece of art and making something big enough, weird enough, useless enough; maybe making a beautiful/ugly enough imitation of Nature or man’s design within Nature.

I’d argue such thinking (the Romantic conceptualization of Nature, and Man’s relation to it), has social and political consequences for all of us.

Here’s Wikipedia, keeping it simpler:

‘Land art, earthworks (coined by Robert Smithson), or Earth art is an art movement in which landscape and the work of art are inextricably linked.’